Showing posts with label historical fiction. Show all posts
Showing posts with label historical fiction. Show all posts

Tuesday, July 16, 2019

Book Tour: Farewell My Life by Cynthia Sally Haggard (Historical Fiction)



FAREWELL MY LIFE
by Cynthia Sally Haggard
* Historical Fiction *



Title: FAREWELL MY LIFE
Author: Cynthia Sally Haggard
Publisher: Spun Stories Press
Pages: 585
Genre: Historical Fiction



Angelina led a life which required her to fib. When Angelina, the black sheep of the Pagano family, meets the mysterious Mr. Russell, she has no idea that she has seen him before…in another country.
And so begins Farewell My Life, a novel in three parts, which spins an operatic tale of dangerous love and loss.

The Lost Mother, the first part of this novel, slices back and forth between time and space, opening in the charming village of Georgetown, Washington D.C. while reflecting a family’s troubled past in the lovely village of Marostica in the Italian Veneto.

An Unsuitable Suitor, the second part of the novel, is a Cinderella-ish tale with not-so-charming princes who inhabit the edgy setting of 1920s Berlin.

Farewell My Life, the last part of the novel, set again in Berlin, Germany, during the dark 1930s as the Nazis gain power, takes comfortable lives, assumptions and civilizations and crumbles them into ash.

And all of this revolves around Grace, Angelina’s younger daughter, whose fabulous talent for the violin promises a shimmering career.
 

______________________







Georgetown, Washington, D.C.
Friday, 2 September
Angelina led a life which required her to fib.
“How do you amuse yourself?” a stranger would ask. “I do a little dressmaking,” she would reply. “It has not been easy, with all the good men taken by the war.” She took pleasure in illicit trysts, in the veils and shadows of secrecy, until one day, this world began to crumble.
“Someone is talking about us,” he said, standing by the window of the apartment he had chosen for her, in the West Village of Georgetown. The late afternoon sun slanted over his head, throwing his high cheekbones and the sharp bridge of his nose into relief, illuminating his thick, corn-colored hair.
Angelina was bending over the wet bar, mixing up a Mary Pickford. “Who?” she said, mainly for something to say. She was used to gossip and disapproving glances. People were so jealous, especially other women, even married women. One would think that women who had everything might be willing to help their less fortunate sisters, but that had never been Angelina’s experience.
“I don’t know.”
Something about his voice caught her attention. She came around and handed him his drink. “You do not know?”
“No.” He sipped without comment. Normally, he would wind one of her curls around his pinky finger, or smile, or make some remark to show that he appreciated what she had made for him. But not today.
The back of Angelina’s neck stiffened. This was not good, something was worrying him.
Finally, he said, “A scandal would hurt my wife, and I cannot do that to a good woman.”
She stood there, silent. If his wife was a good woman, what did that make her? She had known Scott McNair since he was a college student, well before his marriage, when she had been recently widowed, with two little girls to support.
She had become complicit in satisfying his needs in return for money, jewelry, and clothes in the latest fashions. She expected him to terminate things once he married, but his wife did not like the pleasures of the marriage bed.
He put his drink down. “You do see that, don’t you?” She did not see at all. Why now? Why would a bit of gossip scare him off? She stared up into his face. Was there any way to plead her case? But his face, usually so open, was closed against her.
“I will give you something to cover your expenses for the next several months.” He opened his billfold and dropped a wad of cash onto the mantle.
She could not move. She felt like a leaf dropped from a tree, curled up, and dead in the frosty air.
He went to the hatstand and took his hat. “Believe me, Angie, if I had any choice—” He hesitated for a long moment, his blue-gray eyes fixed on hers, and then the landlady banged a door downstairs.
He fled.
She waited for a second, five seconds, then went to the mantle, counting out the money. Five hundred dollars. At least he was generous, but it was not going to last forever. She stuffed it into her bodice, then twitched the drapes aside to survey the street.
He was gone.











 












Cynthia Sally Haggard was born and reared in Surrey, England. About 30 years ago she surfaced in the United States, inhabiting the Mid-Atlantic region as she wound her way through four careers: violinist, cognitive scientist, medical writer, and novelist.

Her first novel, Thwarted Queen a fictionalized biography of Lady Cecylee Neville (1415-1495), the mother of Richard III (whose bones were recently found under a car-park in Leicester,) was shortlisted for many awards, including the 2012 Eric Hoffer New Horizon Award for debut authors. To date, sales have surpassed 38,000 copies.

Cynthia graduated with an MFA in Creative Writing from Lesley University, Cambridge MA, in June 2015. When she’s not annoying everyone by insisting her fictional characters are more real than they are, Cynthia likes to go for long walks, knit something glamorous, cook in her wonderful kitchen, and play the piano.

You can visit her at www.spunstories.com.
Twitter: http://www.twitter.com/cynthiahaggard
Facebook: https://www.facebook.com/cynthia.haggard

http://www.pumpupyourbook.com
 

Friday, February 23, 2018

Blog Tour (New Release): Mistress Suffragette by Diana Forbes (Historical Fiction)



MISTRESS SUFFRAGETTE by Diana Forbes, Historical Fiction, 392 pp., $6.50 (Kindle edition) $20.48 (paperback)



Title: MISTRESS SUFFRAGETTE
Author: Diana Forbes
Publisher: Penmore Press
Pages: 392
Genre: Romance/Historical Fiction/Victorian/Political/NY Gilded Age Fiction

A young woman without prospects at a ball in Gilded Age Newport, Rhode nIsland is a target for a certain kind of “suitor.” At the Memorial Day Ball during the Panic of 1893, impoverished but feisty Penelope Stanton quickly draws the unwanted advances of a villainous millionaire banker who preys on distressed women—the incorrigible Mr. Daggers. Better known as the philandering husband of the stunning socialite, Evelyn Daggers, Edgar stalks Penelope.

Skilled in the art of flirtation, Edgar is not without his charms, and Penelope is attracted to him against her better judgment. Meanwhile a special talent of Penelope’s makes her the ideal candidate for a paying job in the Suffrage Movement.

In a Movement whose leaders are supposed to lead spotless lives, Penelope’s torrid affair with Mr. Daggers is a distraction and early suffragist Amy Adams Buchanan Van Buren, herself the victim of a faithless spouse, urges Penelope to put an end to it. But can she?

Searching for sanctuary in three cities, Penelope will need to discover her hidden reserves of courage and tenacity. During a glittering age where a woman’s reputation is her most valuable possession, Penelope must decide whether to compromise her principles for love.

Order Your Copy!

https://www.amazon.com/Mistress-Suffragette-Diana-Forbes-ebook/dp/B06XG3G2TF

https://www.barnesandnoble.com/w/mistress-suffragette-diana-forbes/1125897662

 




Tuesday, June 6, 1893, Boston, Massachusetts

As luck would have it, the speaker at Tremont House that afternoon was a woman. I use the term loosely. Her name was Verdana Jones, and her topic, “The Dangers of Irrational Dress.” I had never considered the complex maze of corsets, petticoats, and bustles “Irrational,” but apparently others of my gender did and the sentiment had blossomed into a full-fledged Movement. Some of these undergarments were encumbrances, but they were all perfectly logical. Moreover, every woman in the world wore them.
            Like me, Verdana had red hair, but she wore it cropped in a mannish fashion that was most unbecoming to her otherwise fine features. She had a square chin and large, childlike eyes, and in a Boston fog I’d be willing to bet that she was often confused with a young boy. Her outfit contributed to this confusion. It was outlandish by modern standards and excessively unladylike. She sported a loose white tunic worn over ankle-length trousers, known as “bloomers,” and big, chunky boots instead of shoes.
            A small rectangular wooden platform rimmed the front of the spare lecture hall. Twenty hard-bitten women and three scraggly men dotted the aisles. The women, many sporting bonnets, looked dour and preoccupied as if they were gearing up for a contest of who could show the least expression on their faces. Verdana clomped up to a wooden lectern to deliver her tirade. I couldn’t help feeling that, by her dress anyway, she was a poor advertisement for her cause.
            “Those who would keep women down argue that ‘ladylike dress’ symbolizes discipline, thrift, respectability, and beauty,” Verdana bellowed in her giant bloomers. Her voice sounded throaty from too many cigarettes. “But any dress that requires corsets and tight-lacing is degrading and dangerous to a woman’s health,” she boomed. “Corsets and tight-lacing are designed to make our waists look tiny and our bosoms look large. Our undergarments are crafted to make us resemble ornaments. We women, outfitted like hourglasses, are ornaments in our own homes. And we spend all day inside our homes trying to struggle into our corsets, laced petticoats, complicated boned lining, and bustles, all so that we may decorate them on the outside with frills, ribbons, and lace. We are so pampered—or are we?”
            Her voice, thick with meaning, rose a horsey octave. “Instead of fretting over whether we have twenty-inch waists, we would be better served worrying about why we must depend on men to dress us up in these outrageous, unhealthy outfits. Why can’t we earn our own keep and decide for ourselves what we should wear?”
            One or two women applauded. Others silently knitted: some knitted clothing; others knitted their brows. All in all it was a sullen group. Mother was right about this Movement. It was filled with hardened, bitter women. I didn’t want any part of it.
            After Verdana’s harangue I rose to leave, in dire need of fresh air. I had never heard so much drivel about the evils of ladylike dress and the positive attributes of horrible bloomers. But Lucinda looked up at me like a sorrowful, brown-haired puppy dog that could not be wrested from her spot anytime soon. Her dark face wrinkled into an accordion fan of disappointment. I hesitated, not wanting to let down my friend.
            “Hallo there. The lady in the bustle!” Verdana cheerily called toward my buttressed behind. Recognizing that I was one of the few women in the hall outfitted in the very clothes she’d just lambasted, I intuited that she must be talking to me.
            “Excuse me?” I asked, turning around to face her. I felt twenty pairs of women’s eyes and three pairs of men’s riveted upon my rear.
            “Yes, you,” she called out from where she still stood on the stage. “Tell us. What do you think about Rational Dress?”
            “I-I-I’m not certain you want to hear.” Where oh where was the exit?
            “Obviously she prefers Irrational dress,” Lucinda playfully called out from her seat. She cupped her hands to her mouth like a speaking trumpet. “Just look at what she’s wearing.”
            I heard laughter from the crowd directed at me, even though Lucinda’s dress was not markedly different than my own.
            “This isn’t supposed to be a lecture,” Verdana announced. “It’s supposed to be a conversation. So, instead of leaving the fold before we’ve been properly introduced, why don’t you join me up here on the dais and defend what you’re wearing to the group.”
            Everyone in the room laughed.
            “Because I hate speaking in public,” I said, to even more laughter.
            What was it that my little sister had once said in the heat of an argument? You’re quite good at boring your class to death.
            “Then, don’t think of it as public speaking,” Verdana shouted. “Just come up here, and tell me how you feel.”
            I sighed. How did I feel? I felt betrayed. I felt that my parents should not have asked me to support them. They should have protected me instead of trying to send me to New York. I missed my home and my horse. I even missed Lydia a tiny bit. I was nowhere near old enough to be living on my own in a strange city. Verdana wanted my opinion? Then very well, she would get it. I liked corsets and petticoats and bustles. They offered some support in a world that was mostly unsupportive.
            I stared at Verdana. Did I want to dress like her? Not in a lifetime of Sundays. How would I feel if corsets were forbidden? As if the last domain over which I exerted any control had been taken away from me. They could take away my home. They could take away my fiancĂ©. But I’d be damned if I’d let them take away my corsets.
            I silently prayed to God that I wouldn’t make a fool of myself. Then I took a deep breath and strode up to the small wooden platform. I opened my mouth to speak. But if I had a thought, it flew out of my head.
            My mouth hung open. No words came out. I was speechless.
            “Just speak from the heart,” Verdana urged quietly. “It’s always best. You’ll see. So, I take it you like corsets?” she asked me in a normal speaking voice.
            “Uh—yes,” I said to her.
            Verdana nodded. Under her breath she said, “Good. Now, just explain why. Pretend there’s no audience and that you’re just talking to me.”
            “Fine,” I answered, frustrated at how small my voice sounded.
            She smiled. “Believe me, it’s a knack that develops with time. Just breathe.” She continued to slowly nod her head, silently willing the reluctant words from my mouth.
            I took another deep breath and felt my lungs expand. “Hello, my name is Penelope.” I exhaled. Phew. That was hard.
            “Your last name?” she asked.
            “Huh?”
            “What is your last name, dear?” she coaxed.
            “Uh—Stanton.” I felt my face get hot. Little wisps of hair stuck to my face.
            “Any relation to Elizabeth Cady Stanton?”
            “No.” I felt like I had to think about each word, almost like a foreigner struggling to speak English.
            “Good,” she said, continuing to nod her head. “You see? It’s not so very difficult. Keep going.”
            I pushed the wet hair up off my face and turned to the crowd. “I enjoy the prevailing fashions, as you can see.” Thank God. A whole sentence.
            “I can,” she said, with a broad wink at the audience. “Tell us more.”
            I pointed to my light pink gown. I twirled around to model it for the group. Some tepid applause followed, which surprised me. Two women set aside their knitting.
            Emboldened, I continued. “But I came to Boston to escape from the advances of a particular man, not all men, and do hope that what I’m wearing today won’t prevent me from socializing with the men, or more importantly, the women of Boston.”
            A few women clapped. I thrust back my shoulders, lifted my chin, and met Lucinda’s eyes. “To me, it matters not if a woman’s waist is twenty inches, twenty-one inches, or even twenty-six inches—as long as it doesn’t prevent her from keeping her mind open.”
            A burst of light applause followed, and I only wished that my sister had been there to witness it.
            “Corsets and petticoats offer some structure,” I pressed, “in a world that unravels as I speak.” My voice was strong, and the words were coming readily. “Every day, another bank fails. Our institutions falter. As women, we can fall to pieces or we can stay strong.” I pointed to my torso and looked about the audience, meeting one woman’s eyes and then another. “Structure, shape, support. I will wear my corset proudly, as I face another day.”
            Verdana bowed her boyish head at me and stretched out her arms diagonally, one below her hip, the other high above her head. “And that, ladies and gents, is the other side of the argument,” Verdana boomed to heartfelt applause.
            “Sorry I didn’t let you finish,” she whispered, as the audience applauded. “For a novice, you were brilliant.” Verdana clapped her arm around my shoulder. “But speaking in public is also a matter of knowing when to stop. You always want to leave your audience wanting more.”
            “And do you think the audience did?”
            She squeezed my shoulder. “Of course they did. They clapped, didn’t they? Boston audiences are difficult to rouse, believe me. But you did, and now they want more.”
            I nodded. Perhaps that had been the problem with my French classes. No student had ever wanted more.
            “And how does it feel?” she pressed. “To leave them wanting more.”
            Here on stage I’d felt almost like a different person. Brave, gutsy, and confident. I wouldn’t mind feeling that way every day. What was it about this stage that had caused me to throw caution aside and just express my feelings?
            Her eyes widened as we both waited for me to put words to my emotions.
            “Liberating,” I said.
           
(C) 2017 Excerpt from copyrighted Mistress Suffragette by Diana Forbes (Penmore Press, 2017)

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Diana Forbes is a 9th generation American, with ancestors on both sides of the Civil War. Diana Forbes lives and writes in Manhattan. When she is not cribbing chapters, Diana Forbes loves to explore the buildings where her 19th Century American ancestors lived, loved, survived and thrived. Prior to publication, Diana Forbes’s debut won 1st place in the Missouri Romance Writers of America (RWA) Gateway to the Best Contest for Women’s Fiction. A selection from the novel was a finalist in the Wisconsin RWA “Fab Five” Contest for Women’s Fiction. Mistress Suffragette won 1st place in the Chanticleer Chatelaine Award’s Romance and Sensual category, and was shortlisted for the Somerset Award in Literary Fiction. Mistress Suffragette won Silver in the North American Book Awards and was a Winner of the Book Excellence Awards for Romance. Mistress Suffragette was also a Kirkus Best Indies Book of 2017. The author is passionate about vintage clothing, antique furniture, ancestry, and vows to master the quadrille in her lifetime. Diana Forbes is the author of New York Gilded Age historical fiction.

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